What we did was go to the core of what we are about creating and we did it on the fly and had three weeks unadulterated joy. We didnt particularly know anywhere in New York, so we went into Electric Ladyland.Įvery day, we just showed up and wrote phantasmagorical stuff.Įverything was done in first takes, and worked out 20 minutes beforehand. You got to go to every hotspot until everything has closed down. You dont write on tour, it takes all your concentrating to make the gig thats survival technique. Normally after a tour, we used to go home and lie down for a few weeks. Twenty of them bam, bam, bam, one after another.

They probably sent us a large bill for their services.) With no-one apart from former Blackhill employee, press agent and full-time Clash fellow traveller Kosmo Vinyl to guide them, and with Paul Simonon looking after the accounts, The Clash roamed wild and free.Ĭan you imagine it Gigs can be sort of so-so, but these were all hot.įlaming hot. The single was released in August, reaching Number 11 in the charts. In Strummers words the songs lyric really twisted his clock and he refused to release it.īut, after it had sold steadily on Dutch import throughout the summer, Oberstein relented. The sufferation ballad Bankrobber, featuring Jamaican DJtoaster Mikey Dread, was recorded after a show in Manchester in February and delivered to CBS boss Mo Oberstein. Battlestar galactica online game download This excerpt is taken from a longer piece in the September 1999 (Take 28) issue of Uncut. To complement this, our archive feature this week finds Strummer looking at the demise of The Clash from their epic Sandinista album to their bitter disintegration.

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